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Lessons 10 Theoretical Chord Names

  • Writer: H Kurt Richter
    H Kurt Richter
  • Apr 4, 2024
  • 6 min read

Supplement 3: Theoretical Guitar Chord Representations


Examples are in Key of Ionian C-Major. 

Prime = octave of indicated tone (e.g., 2’ = 9th, 4’ = 11th, 6’ = 13th). 


Let:

minus sign -   = symbol 𝄬  =  “flat” =  lower ½-step, for any tone (e.g., -7 = 𝄬 7)

positive sign +   =  symbol #  =  “sharp”  =  raise ½-step, for any tone (e.g., +5 = #5)

P = perfect, meaning note corresponds to its natural position in a Tonic Major Scale.

Major = maj = perfect 3rd = P3 

Minor = min = m =  -3 = 𝄬3 = flatted P3

sus = suspended = #P3, or sus4 = 3rd is replaced by the 4th    

sus2  =  3rd replaced by 2nd

add = include indicated extra tone [e.g., C(add#9) = C major with sharped 9th added]

aug = augmented = +5 = #P5 = sharped 5th     

dim = minor diminished = m-5 = minor with 𝄬P5 = minor with flatted 5th

dim5 = major diminished = -5 = major with flatted 5th

dim7 = m7-5 = minor diminished with dom7

dim-7 = m-5-7 = m-7-5 = 𝄬P5 𝄬7 = minor diminished with flatted dom7 = m6-5     


Below, any tone shown at far right can be replaced by its higher or lower octave, and the root (1) need not always be the lowest note in the chord. Also, for the larger chords, the 3rd or 5th can be omitted or replaced. And for the 13th chord, the 11th is omitted, as well. But no chords are larger than the 13th chords.


Guitar Chords:

Name                               Symbols                                      Tones

Major                               C, C Major, Cmaj                       1, P3, P5 = 1, 3, 5, 8.

Major (Add Flat 2nd)         C(add-2), C(add-9), C(add𝄬9)      1, 𝄬2’, P3, P5  =  1, 3, 5, 𝄬9.

Major 2nd                        C2, Cadd2, Cadd9                      1, 2’, P3, P5 = 1, 3, 5, 9.

Major (Add Sharp 2nd)      C(add+2), C(add+9), C(add#9)    1, #2’, P3, P5  =  1, 3, 5, #9.

Major 3rd [Power Chord]    C3                                             1, P3  or  1, 3, 1’  =  1, 3, 8.

Major 4th                         C4, Cadd4, C(add11)                  1, P3, 4’, P5  =  1, 3, 5, 11.

Major Add Sharp 4th         C(add+4), C(add#4), C(add#11)  1, P3, #4’, P5 = 1, 3, 5, #11.

Major 4th Add Flat 6th       C4(add-6), C(add𝄬6)             1, P3, 4’, P5, 𝄬6 = 1, 3, 5, 𝄬6, 11.

Major 4th Add 6th             C4add6                                1, P3, 4’, P5, 6  =  1, 3, 5, 6, 11.

Major 4th Add Sharp 6th    C4(add+6), C4(add#6)       1, P3, 4’, "5, #6  =  1, 3, 5, #6, 11.

Major 4th Add Dom7   C4(add7), C7add4            1, P3, 4’, P5, 𝄬P7  =  1, 3, 5, 7, 11.

Major 4th Add Maj7          Cmaj7(add4)  1, P3, 4’, P5, P7  =  1, 3, 5, maj7, 11.

Major 4th Add Flat 9th       C4(add-9), C4(add𝄬 9)        1, P3, 4’, P5, 𝄬9  =  1, 3, 5, 𝄬9, 11.

Major 4th Add 9th             C4add9                                 1, P3, 4’, P5, 9  =  1, 3, 5, 9, 11.

Major 4th Add Sharp 9th    C4(add+9), C4(add#9)       1, P3, 4’, P5, #9  =  1, 3, 5, #9, 11.

Major Diminished Cdim5, C-5 1, P3, 𝄬P5 = 1, 3, -5.

Major 5th [Power Chord]     C5                                                1, 5  or  1, 5, 1’  =  1, 5, 8.

Major 6th                           C6, Cadd6                                  1, P3, P5, 6' = 1, 3, 5, 13.

Major 6th Add Dom7     C6(add7), C7add6                   1, P3, 5, P6, 7 = 1, 3, 5, 6, 7.

Major 6th Add Maj7     Cmaj7(add6)  1, P3, P5, 6, P7 = 1, 3, 5, 6, maj7.

Major 6th Add Flat 9th        C6(add-9), C6(add𝄬 9)         1, P3, P5, 6, 𝄬9 = 1, 3, 5, 6, 𝄬9.

Major 6th Add 9th              C6(add9), C69                        1, P3, P5, 6, 9 = 1, 3, 5, 6, 9.

Major 6th Add Sharp 9th     C6(add+9), C6(add#9)      1, P3, P5, 6, #9 = 1, 3, 5, 6, 9.

Major 7th                           Cmaj7                                  1, P3, P5, P7 = 1, 3, 5, maj7.

Major 7th Add Sharp 4th     Cmaj7(add#4)          1, P3, #4’, P5, P7  =  1, 3, 5, maj7, #11.

Major 7th Add Flat 6th        Cmaj7(add𝄬6)            1, P3, P5, 𝄬6, P7 = 1, 3, 5, 𝄬6, maj7.

Major 7th Add 6th              Cmaj7(add6)                    1, P3, P5, 6, P7 = 1, 3, 5, 6, maj7.

Major 7th Add Sharp 6th     Cmaj7(add#6)            1, P3, P5, #6, P7 = 1, 3, 5, #6, maj7.

Major 7th Add Flat 9th         Cmaj7(add𝄬9)            1, P3, P5, P7, 𝄬9 = 1, 3, 5, maj7, 𝄬9.

Major 7th Add Sharp 9th     Cmaj7(add#9)             1, P3, P5, P7, #9 = 1, 3, 5, maj7, #9.

Major 9th                           Cmaj9                            1, P3, P5, P7, 9 = 1, 3, 5, maj7, 9.

Major 11th                         Cmaj11               1, P3, P5, P7, 9, 11 = 1, 3, 5, maj7, 9, 11.

Major 13th                         Cmaj13   1, P3, P5, P7, 9, 11, 13 = 1, 3, 5, maj7, 9, 11, 13.

Major Add 9th                    Cadd9                                       1, P3, P5, 9 = 1, 3, 5, 9.

Major Add 11th                  Cadd11                                      1, P3, P5, 11 = 1, 3, 5, 11.

Major Add 13th                  Cadd13                                      1, P3, P5, 13 = 1, 3, 5, 13.

Suspended Flat 2nd             Csus-2                                           1, 𝄬2’, P5  =  1, 5, 𝄬9.

Suspended 2nd                   Csus2                                                  1, 2’, P5  =  1, 5, 9.

Suspended Sharp 2nd   Csus+2, Csus#2, Csus#9                  1, #2’, P5  =  1, 5, #9.

Suspended 4th                    Csus, Csus4                                       1, #3, P5  =  1, 4, 5.

Sus. 2nd Sus. 4th                Csus2sus4                                      1, 2’, 4’, P5  =  1, 5, 9, 11.

Suspended (Add Flat 6th)     Csus(add-6), Csus(add𝄬6)         1, 4, P5’, 𝄬6  =  1, 4, 𝄬6, 8, 12.

Suspended 6th                    C6(sus4), Csus(add6)                1, 4, P5’, 6  =  1, 4, 6, 8, 12.

Suspended (Add Sharp 6th)  Csus(add+6), Csus(add#6)    1, 4, P5’, #6  =  1, 4, #6, 11, 12.

Suspended 7th                    C7sus, C7(sus4)                        1, #P3, P5, 𝄬P7  =  1, 4, 5, 7.

Suspended Major 7th           Cmaj7(sus4), Csus(maj7)         1, 4’, P5, P7  =  1, 5, maj7, 11. Suspended 9th                     C9sus, C9(sus4)              1, #P3, P5, 𝄬P7, 9  =  1, 4, 5, 7, 9.

Suspended Major 9th           Cmaj9sus, Cmaj9(sus4)   1, #P3, P5, P7, 9 = 1, 4, 5, maj7, 9.

Suspended 11th                  C11sus, C11(sus4)    1, P3, P5, 𝄬P7, 9, 11 = 1, 4, 5, 7, 9, 11.

Suspended Major 11th         Cmaj11sus4 1, #P3, P5, P7, 9, 11 = 1, 4, 5, maj7, 9, 11.

Suspended 13th                   C13sus4   1, #P3, P5, 𝄬P7, 9, 11, 13 = 1, 4, 5, 7, 9, 11, 13.

Suspended Major 13th        Cmaj13sus4 1, #P3, P5, P7, 9, 11, 13 = 1, 4, 5, 7, 9, 11, 13.

Dominant 7th                       C7                                     1, P3, P5, 𝄬P7 = 1, 3, 5, 7.

Dominant 9th                       C9                                     1, P3, P5, 𝄬P7, 9 = 1, 3, 5, 7, 9.

Dominant 11th                     C11                       1, P3, P5, 𝄬P7, 9, 11 = 1, 3, 5, 7, 9, 11.

Dominant 13th                     C13           1, P3, P5, 𝄬P7, 9, 11, 13 = 1, 3, 5, 7, 9, 11, 13.

Minor                                  Cm                                                 1, 𝄬P3, P5 = 1, m3, 5.

Minor 4th                             Cm4                                      1, 𝄬P3, 4’, P5  =  1, m3, 5, 11.

Minor 4th Add Flat 6th          Cm4(add𝄬6) 1, 𝄬P3, 4’, P5, 𝄬6  =  1, m3, 5, 𝄬6 11.

Minor 4th Add 6th                Cm4(add6)                    1, 𝄬P3, 4’, P5, 6  =  1, m3, 5, 6, 11.

Minor 4th Add Sharp 6th       Cm4(add#6)              1, 𝄬P3, 4’, P5, #6  =  1, m3, 5, #6, 11.

Minor 4th Add Dom7     Cm7(add4)                   1, 𝄬P3, 4’, 5, 𝄬P7  =  1, m3, 5, 7, 11.

Minor 4th Add Major 7th       Cm4(maj7)     1, 𝄬P3, 4’, P5, P7  =  1, m3, 5, maj7, 11.

Minor 4th Add Flat 9th           Cm4(add𝄬9)            1, 𝄬P3, 4’, P5, 𝄬9  =  1, m3, 5, 𝄬9, 11.

Minor 4th Add 9th                 Cm4(add9)                   1, 𝄬P3, 4’, P5, 9  =  1, m3, 5, 9, 11.

Minor 4th Add Sharp 9th        Cm4(add#9)             1, 𝄬P3, 4’, P5, #9  =  1, m3, 5, #9, 11.

Minor 6th                              Cm6                                     1, 𝄬P3, P5, 6 = 1, m3, 5, 6.

Minor 6th Add Dom7     Cm7(add6)                    1, 𝄬P3, P5, 6, 𝄬P7 = 1, m3, 5, 6, 7.

Minor 6th Add Major 7th        Cm6(maj7)                1, 𝄬P3, P5, 6, P7 = 1, m3, 5, 6, maj7.

Minor 6th Add Flat 9th           Cm(add𝄬9)                   1, 𝄬P3, P5, 6, 𝄬9 = 1, m3, 5, 6, 𝄬9.

Minor 6th Add 9th                 Cm6(add9), Cm69          1, 𝄬P3, P5, 6, 9 = 1, m3, 5, 6, 9.

Minor 6th Add Sharp 9th        Cm6(add#9)                 1, 𝄬P3, P5, 6, #9 = 1, m3, 5, 6, #9.

Minor 7th                              Cm7                                     1, 𝄬P3, P5, 𝄬P7 = 1, m3, 5, 7.

Minor Add Major 7th             Cm(maj7)                           1, 𝄬P3, P5, P7 = 1, m3, 5, maj7.

Minor 9th                              Cm9                             1, 𝄬P3, P5, 𝄬P7, 9 = 1, m3, 5, 7, 9.

Minor 11th                            Cm11               1, 𝄬P3, P5, 𝄬P7, 9, 11 = 1, m3, 5, 7, 9, 11.

Minor 13th                            Cm13   1, 𝄬P3, P5, 𝄬P7, 9, 11, 13 = 1, m3, 5, 7, 9, 11, 13.

Diminished                            Cdim, Cm-5            1, 𝄬P3, 𝄬P5 = 1, m3, -5.

Diminished 7th                       Cdim-7, Cm6-5                1, 𝄬P3, 𝄬P5, 𝄬𝄬P7  =  1, m3, -5, 6.

Half-Diminished 7th                C7dim, Cm7-5                     1, 𝄬P3, 𝄬P5, 𝄬P7 = 1, m3, -5, 7.

Diminished Major                   C-5                                       1, P3, 𝄬P5 = 1, 3, -5.

Dim. Major Add Maj7        Cmaj7-5                              1, P3, 𝄬P5, P7 = 1, 3, -5, maj7.

Augmented                            C+, C+5, Caug, Caug5                 1, P3, #P5 = 1, 3, +5.

Augmented Minor                   Cm+5, Cm(aug5)                      1, 𝄬P3, #P5 = 1, m3, +5.

Augmented 7th                       C7+, C7+5, C7aug  1, P3, #P5, 𝄬P7 = 1, 3, +5, 7.

Augmented Major 7th              Cmaj7+, Cmaj7+5       1, P3, #P5, P7 = 1, 3, +5, maj7.

Augmented Minor 7th              Cm7+5 , Cm7(aug5)         1, 𝄬P3, #P5, 𝄬P7 = 1, m3, +5, 7.



 
 
 

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A primer on basic electronics tailored to guitarists interested in understanding the inner workings of their equipment.  Recommended for those without formal training but who wish to delve into the technical manual listed above.  

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Music Resume’ for Kurtus Richter

Talents:  Electric Guitar, Bass-Guitar, Guitar Technology, Audio Engineering.

North Carolina:
Born and raised in North Carolina.  Obtained first guitar at age 12; learned to play by ear. 
Played trombone in Jr. High School, where first learned music theory.  Began composing
original guitar-music at age 16.  Won High School talent-show with first rock-band (age 17). 
Aced course in music theory in High School (age 17).  Designed original guitar on-paper,
and started studying basic electronics (age 19).  Played part-time in volunteer religious
orchestras (Christian) for 3 years.  Became guitar repairman and teacher at small music
store (age 23).  Spent much time jamming around town with garage bands.

Texas:
Moved to Texas at age 24.  Started studying math and physics and doing library research
as new hobbies.  Kept day-jobs as repairman while jamming around town with local garage
bands.  Earned a certificate in electronics repair; started focus on audio electronics design. 
Founded the non-profit East Texas Musicians Association, in Tyler, TX (1983), sponsoring
shows and serving as a musician’s referral service.   Continued practicing the guitar and
composing original guitar-music privately. 

Colorado:
Moved to Denver at age 32.  Continued library research, and began to write fiction as a new

hobby, in addition to continuing practicing the guitar and writing originals.  Kept day-jobs in
repair while working part-time as a lead-guitarist in nightclubs (for 6 years).  Became locally
popular under the stage-name Kurtus Maximus.  Also continued studying audio electronics,
in addition to studying electrical/electronics technology to enhance day-job skills.  It was while working with Rock-bands in those years that took me to the shredder level.   

North Carolina:
Moved back to North Carolina at age 39.  Kept day jobs in repair trades while working part-
time as a guitarist in nightclubs.  Also worked part-time as an audio engineer (sound-man)
for regional bands.  Spent a year playing lead-guitar with house-band at a large nightclub. 
Taught guitar for two semesters at Isothermal Community College, Spindale, NC.  Wrote
instruction booklet Basic Lessons for the Guitar (precursor to this book).  Began designing
guitar amplifiers and effects-devices (mostly on paper, but building some prototypes here
and there).  Attended college at Isothermal, where I also worked part-time as an audio-video
technician.  Started writing a technical manual titled Electric-Guitar Data and Analog-Circuit
Collection (now completed, but unpublished).  Graduated with 3-year AS Degree in Math
and Computers from Isothermal, then spent 1.5 years as a full-time student in the Physics
program at the University of North Carolina at Asheville.  While in college, I independently
studied theoretical physics and pure mathematics far in excess of curriculum requirements,
and also completed the first recordings of 3 hours of all original guitar music.

Personal Comments:

This highlights my major musical accomplishments but gives little detail.  For instance, it
does not say that I have spent my entire working life from age 16 practicing the guitar while holding down day-jobs (finally becoming a professional Industrial Engineer by my mid fifties).  I also continued to learn many popular songs, write my own stuff, and practice difficult scales and licks on a routine basis.  In Denver, besides learning leads note-for-note from Rock songs and Fusion music by famous players (such as Van-Halen, Satriani, Slash, and others) for working in bands, I also did a lot of note-for-note learning just for personal benefit.  While in Denver, I put in three years each with two Rock-bands that became very popular locally; playing cover-tunes in beer-halls and biker-bars.  It was there that I established myself as a shredder, acquiring the stage-name Kurtus Maximus (given to me by a drummer), and started getting advertised by name in a local entertainment weekly, before deciding to move back to North Carolina.  Today I am retired and divide my time between making recordings, composing new songs, playing in two bands, writing fiction novels, and doing reserach for my novels. 


Contact Information:  Cell (828) 279-0955.  Email hkurtrichter@gmail.com.

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